Gloriously in Love : Kangana Ranaut – Kareena Kapoor -Saif Ali Khan – Sushmita Sen

These B-Town girls have gone from skinny to comparatively or positively curvy and we think it is all thanks to the amorous magic of their doting beaus. Take a look

Kangana Ranaut: She was skinny, almost anorexic when she entered the Bollywood scene in 2006.But now she can be called curvy. In the first picture, even the nautical stripes don’t add volume to her waif like frame but in the second picture, she fills out her striped dress much better and she is glowing with the affection that Adhyayan showers on her.

Kareena Kapoor: Kareena started getting into shape in fitness freak ex-beau Shahid’s company. Her weight loss for Tashan was dramatic and she went from curvy to anorexic. Then, jab she fell in love with Saif, he was extremely concerned about her weight and lavished romantic dinners on her, urging her to put on weight and eat well. The result is for all to see. Kareena is getting her curves back. Her chest is almost flat, her waist is narrow and her frame is waif like in the first picture, but she appears heavier on the top with a broader waist in the second picture.

Sushmita Sen: Her men would change with the changing seasons but her weight remained constant and she maintained a slim, perfectly proportionate figure. Then when, current beau Mudassar Aziz entered her life, she piled on the pounds and how. It’s all the glow of love. It seems she is so happy and content that she doesn’t count calories anymore. What’s more, she has quit smoking because of Mudassar which has caused her to gain weight. In the first picture, you can see how skinny her arms are and how slim her face is, but in the second picture, she is wearing dark colours and full sleeves to camouflage her bulging arms. Even her face is looking bigger and her smile is the widest and brightest in prospective husband Mudassar’s company.

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Kangna was kind of lost in Delhi

Actress Kangna Ranaut has often said that Anurag Basu, the director of Gangster, taught her much of her craft, but the Himachali girl also spent a few months in Delhi.

Here, she modelled and took acting lessons from theatreperson Arvind Gaur. “It’s because of theatre that I’m so comfortable in films,” she says. “Arvind was very kind. I went to him and said, I’m going to Bombay, and I need a sort of crash course in acting. So, he taught me acting specially, just for an hour everyday,” she says. During her months in Delhi, Kangna says, she was “kind of lost. I didn’t know what I wanted to do, but at some points in life, you’re like a child in a candy shop. I was doing my own thing in Delhi, and then I felt like going to Mumbai, so I went,” she says.

And after that journey and the one in Bollywood, Kangna is readying for her next release, Raaz 2, which is a horror flick. “I don’t like to watch horror films, but people watch them for excitement,” she says.

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CC2C is last big movie till summer

CC2C is one of the biggest releases of the year. Starring Akshay Kumar and Deepika Padukone in a double role and having been shot extensively in India and China on a big budget, it is being premiered around the globe and promises to be a fun, masaledaar roller coaster ride; a quintessential Bollywood masala blockbuster.

But unfortunately for Bollywood the next big release after CC2C is the other Akki starrer on May 29.

January end will see films like Luck By Chance, Raaz – The Mystery Continues and Slumdog Crorepati releasing. And while no one doubts the story line or success chances of the film, the fact still remains that none of them star big A –list actors.

Slumdog is a brilliant film, no doubt, but it is not a Bollywood film. Luck By Chance stars Farhan Akhtar and Konkona Sen Sharma in the lead. They both are brilliant actors but don’t fall in the superstar bracket. Raaz – The Mystery COntinues has Kangana, Adhyayan and Emraan but they aren’t A-listers yet. The film, like most Emraan Hashmi films will probably be a hit because it has been made on a small budget and the music is chartbusting. And ending the months is Ajit Pal’s Victory. Harman Baweja and Amrita Rao are not stars. The film might draw in people because of its cricket theme but not for the stars.

The films of February veer on the arty, indie, experimental and small budget side. There is Devdas’ modern version, Dev D starring Abhay Deol who is a critically acclaimed actor but hasn’t sparkled at the BO yet. Billu Barber has Lara Dutta and Irrfan in the lead. SRK is there only to add star.

Delhi 6 is very intriguing and appealing but AB Jr. hasn’t yet made it into the superstar bracket. Next is Nandita Das’ Firaaq which has been applauded at festivals but it isn’t a commercial film and boasts of super actors like Paresh Rawal and Naseeruddin Shah and not Bollywood’s masala superstars. Ketan Mehta’s biopic on Raja Ravi Verma, Rang Rasiya starring Randeep Hooda and Nandana Sen, has also got standing ovations at festivals but its release keeps getting postponed. Not everyone knows Randeep and Nandana and the film is likely to click with only a niche audience.

March maybe a very hot month but it doesn’t have any hot releases. There is Anil Kapoor’s Shortkut: The Con Is On which has been in the making for a very long time. Amrita Rao isn’t a hottie who sets the BO on fire even if she sports a bikini and Sanjay Dutt hasn’t had a hit since Shootout at Lokhandwala in 2007. It is a thriller. This genre seldom draws in the crowds (A Wednesday is a brilliant exception) and recent thrillers like Kidnap and Maharathi have been disappointments.

Deepak Tijori’s Fox stars Arjun Rampal and Sunny Deol. Deepak has made awful films like Khamosh, Fareb and Oops in the past so it isn’t wise to bank on this film.

April fares even worse than March in terms of sizzling hot releases. Dharma Productions’ romantic comedy Wake Up Sid starring Konkona Sen Sharma and Ranbir Kapoor is the only flick that merits a mention. Revolving around a young guy falling for an older woman, it may be a fantastic film but it is a small film that might just become a surprise hit.

Finally, the big Bollywood blockbuster will arrive on May 29 in the form of Kambakht Ishq. It has superstar Akshay Kumar playing a romantic and an action hero, queen bee Kareena Kapoor plays a model in the film and it has been shot on a lavish budget (courtesy producer Sajid Nadiadwala) across USA, Italy and France with certain segments shot in Mumbai.

Hollywood heavy weight Sylvester Stallone has a cameo in the flick along with bombshells Carmen Electra and Denise Richards. Hip hop sensations Beyonce and Sean Kingston will feature on the soundtrack of the film. With an international cast and locations, premieres across the globe are bound to happen. So, it promises to be your quintessential, leave-your-brains-at-home-and-have-a-Bollywood-blast kind of blockbuster.

And so it looks like Bollywood fans will have to wait for the Khiladi Kumar to return to big screen once again to entertain us!

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"I don’t yell from the top of my voice about being the lead" – Emraan Hashmi

For Emraan Hashmi, playing an integral character in a film is the most important thing to do regardless of the screen space he gets. So whether it is a small but critical role in Kalyug or an obsessive lover with villainous shades in Murder or one of the three key characters in Raaz – The Mystery Continues, he approaches them with all the honesty and integrity.

Ask him if he is the main lead in the film or Adhyayan Suman and he goes on to reply, “I don’t really get into topics like these because gone are the days when there was the concept of a hero or a main lead. I pick up a film when I am very convinced about a role because it’s the depth in the character that matters most. If I like it, I go ahead and do it. I don’t get into matters where I have to worry about whether the person other than me in the film has a meatier role.”

Stating examples about how he has maintained this strategy from the very beginning of his career that saw him playing second lead to Aftab Shivdasani in Footpath, he goes on to add, “If I had thought on those lines, would I have done Murder considering it was supposed to be Mallika’s film? When I do a film, I move ahead and let the audience decide whose film it was. I don’t yell from the top of my voice that ‘This is MY film’. The same holds good for Raaz – The Mystery Continues as well.”

Some actors choose to do that though. They want the world to know that they have the most important part to play in a film. “Other actors may have different work priorities, I have my own. I work for the betterment of the character; the way the director wants me to play it. At the end of the day, a film is much bigger than the actor. And by the way, whenever I have a special appearance in the film, I haven’t hidden it. There is no point being dishonest to your audience. In case of Kalyug, I had told people that I had a special appearance and it was basically a Kunal (Khemu) film”, remembers Emraan Hashmi.

Which means he has a full fledged role in Raaz – The Mystery Continues even though all the romance seems to be reserved for Kangna and Adhyayan Suman? “Absolutely. I have a full blown character to enact in Raaz -TMC. As for who romances whom in the film, then well, watch the film”, he winks before signing off.

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Kangna Ranaut bares it in Dabboo Ratnani’s 2009 calendar

Buzz has it that the makers of the world-famous Dictionary and Pictionary are upset, as after their fanatic research, they ultimately settled for the synonyms of Heat as ‘warmth’ and ‘high temperature’, whereas the guys at Pictionary used the photograph of the sun to show what Heat was all about.

But when they saw the snap of Kangna Ranaut in the ace photographer Dabboo Ratnani’s calendar of 2009, they, in unison, decided that nothing in the world can be as HOT as this chic! One look at the snap and you will know as to what the whole world is talking about! After having scorched the silver screens with her stellar performance in Fashion, Kangna seems to be all over the place! If Fashion wasn’t enough for the zillions of this scorcher’s fans, then, be ready to be attacked by the ocular pangs of Kangna in her forthcoming film Raaz 2-The Mystery Continues, in which she stars with her real-life sweetheart Adhyayan Suman. But till the time the film releases we are all praise and thankful to Dabboo Ratnani for giving our parched eyes some relief in the form of Kangna Ranaut, who simply has redefined the term ‘HOT’ and that too in her own way and style! Atta girl, Kangna…Happy New Year to us!

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Rewind: Year’s most memorable dialogues

Some of them are genuinely funny while others are downright tacky. Good or bad, we list some dialogues that stayed with us after we walked out of the theatre. We think you might want to watch some of the movies again after reading this.

Dostana: This movie has plenty of genuine gems. The boldest one is when Abhishek meets John for the first time and says, while writhing suggestively, “Oh Kunal, Oh Kunal, Kunal, Kunal! I feel like I know you man, pehli baar kissi ka naam apne naam se zyaada suna hai”. Then the other scene where John shouts out, “Hum Gay hai, yeh mera boyfriend hai!” and when Kirron Kher, who plays Abhi’s mom blesses the ‘couple’ and says, “Phullo phallo” and then realizes they are gay and sighs, “Khair chhodo.”

Ghajini: The first half is laugh-out-loud hilarious as the love story between Asin and Aamir develops. The love story Asin fabricates between her character Kalpana and Aamir’s Sanjay Singhania is filled with details. She goes, “Hum Pehli baar Dilli aiport pe mile the, main jaanti nahi thi ki who Sanjay Singhani hai, pur waqt airport pe who mujhe ullu ki tarah ghoor raha tha .Phir flight mein mere paas aake baitha aur kaha Hi I am Sanjay Singhania toh meine bhi bola Hi. Phir Dilli se Mumbai poore raaste uska FM radio chalu tha, kachar, kachar, kachar. Phir suddenly bola, I love you, mujhse shaadi Karogi? Maine bola bachhoo, shaadi byaah ke baate hawa mein thodi the ki jaati hai? Maine bola no, usna bola please, maine bola no, usne bola please, phir maine bola OK. Agar koi ek taang pe khada ho jaayeto tara to aayegi hee.” And then she tells Aamir, unaware of the fact that he is THE Sanjay Singhania, “Air Voice ka Mobile hai, dabba phone hai, main kitna kehti hoon Sanjay se, thoda antenna ghuma kar dekho.”

Rab Ne Bana Di Jodi: the dialogues are silly and sweet. How can we forget Raj’s (Shah Rukh’s) very filmi dialogues when he speaks to Taani (Anushka) like: “I am Raj, naam toh suna hoga,” then “Hum hain raahi pyaar ke, phir milenge chalte chalte” (which are titles of Aamir, Salman and SRK’s films respectively) and “Hello Dear, Raj is here, no fear!”

Fashion: It is a Madhur Bhandarkar movie so how can the dialogues lack any punch? When Kittu Gidwani, the head of a modeling agency asks Priyanka, “Tum model banna chahti ho?” so Priyanka confidently replies, “Nahi, Supermodel.” Mugdha, the struggling model says at a lingerie photo shoot, “Itne paise mein itna ich milega!” When Priyanka can’t handle the success, she makes fun of her friend played by Mugdha, “It’s about attitude baby, do-chaar assignements karne se koi model nahi ban jata.” And the way Kangana addresses her parasite of a boyfriend is annoying but it stays with you, “You Bast**d!” is what she ‘lovingly calls him.

Yuvvraaj: Now this movie is bad but the amateurish dialogues will help you and your friends have a laugh over how silly the movie is. Sample these gems. Katrina tells Salman, “Jisne apne baap ko barah saal se sapne mein bhi na dekha ho, woh beta nahi, hardcore anti-family man hai,” then there is Zayed shouting in the middle of nowhere and that too in Hindi, “Please koi meri madad karo, mujhe chhod ke mat jao,” Salman telling Anil, “Drink beer with those who are dear and bring them near” and Salman’s mama telling him, “Well done my son” to which Salman replies, “Well done toh abhi hua hai, done done abhi baki hai.” And we can’t figure the sense in it at all!

Oye Lucky, Lucky Oye: Dibakar Banerjee’s Abhay Deol starrer may not have done well but it is one heck of a laugh riot. Some memorable dialogues are: Abhay Deol telling the media why he is arrested, “Main toh bahar football khel raha tha, unhone (the police) kaha ki andar aake khel lo,” the deceptive Paresh Rawal butters thief Abhay Deol, “aap jaise log hi India ka future hai,” a TV host complaining about the effect of Sansani on his life, “Main yeh sansani kehne se thak gaya hu. Jab meri biwi poochti hai ki khana kaise hai, mere moo se nikalta hai Sansani!” Abhay talking about a dog he has stolen, “High society ka dog hai, zara pyaar se bulao” and of course, “Oye Lucky, Lucky Oye!”

Bachna Ae Haseeno: Bachna ae Haseeno may not be a great film but it was surely very entertaining with YRF making digs at their own films. Here are some dialogues we remember: Ranbir making fun of classic romantic film DDLJ, “Badi boring picture thi, main toh so gaya tha. Kya hua tha usme?,” when Ranbir and his friend make a plan for Bips to dump him by calling strippers to his house and he says, “Happy Independence Day” (the film released on 15 August this year), Hiten’s reaction to Deepika being a taxi driver, “Tum ek taxi driver ko leke aaye ho? Intelligent toh mera watchman bhi hai” and Ranbir telling Deepika in the end: “Main tumhare saath hamesha rehna chahta hu, yeh naya wala forever nahi, forever wala forever.”

Rock On: Farhan Akhtar dished out some unforgettable one-liners in Dil Chahta Hai so how is it possible that the dialogues of Rock On will be any less? Here are some: Farhan telling Purab, “KD, iss band mein koi takeover nahi Karega, issi liye band ka naam Magik hai!”, Prachi says she doesn’t know what’s going on in Farhan’s heart, so Koel replies, “Uske dil mein stock market ki rates hi milengi!”, Farhan arguing with Prachi saying, “Haan maine zindagi mein koi compromises ki hai par compromise kaun nahi karta”, Purab joking with Luke when he says he has taken some pills, “Waise aaj raat mein free hu!” and welcoming Arjun on stage in the end, “Please welcome mera Bhai, mera Dost and Magik’s lead guitarist, Joe Mascarenhas!”

Jaane Tu Yaa Jaane Na: Jaane tu was a formula film filled with funny dialogues. My favourite is the way Prateik addresses Imran, “Ek tu achha dikta nahi, do tu gareeb hai, teen to aisa gayega, toh kaunsi ladki tujhko pasand karegi Jay?” Imran replies, “Koi gareeb, badsoorat ladki mil hi jaayegi jo mujhse bhi bura gaati ho!” Then there is Genelia’s dialogue, “Jay tu mere liye ek tough ladka dhoond aur mein tere liye ek stupid, silly, romantic ladki dhoondti hoon,” and Naseeruddin Shah’s favourite phrase, “you can take the Rathore out of Ranjhore but you can never take out the Ranjhore out of a Rathore”, the way Ratna Pathak asserts when she sees Imran’s Jay riding a horse in the end “Woh mere pati ka beta tha” and the song which Imran sings in his tuneless voice, “Tere mujhse hai pehla ka naata koi, yuhi nahi dil lubhata koi, jaane tuuu, ya jaaane na, maane tuu, yaa maane naaa…”

Race: The most plot-less yet fast paced and fun movie of the year had some corny, pretending-to-be-deep dialogues. Like Akshaye commenting, “yeh toh bahut hasta hai” to which Saif ‘cleverly’ replies, “Jo aadmi hasta bahut hai, who rota bhi bahut hai” and Katrina crying over Saif’s ‘murder’, “Woh mere boss hi nahi, woh mere husband the!”, Saif summing up his ‘bond’ with Akshaye in the end, “Hum dono main fark sirf itna hai ki mein jeetne ke liye khelta hu aur tun mujhe harane ke liye khelte ho”

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Rewind: Year’s most memorable dialogues

Some of them are genuinely funny while others are downright tacky. Good or bad, we list some dialogues that stayed with us after we walked out of the theatre. We think you might want to watch some of the movies again after reading this.

Dostana: This movie has plenty of genuine gems. The boldest one is when Abhishek meets John for the first time and says, while writhing suggestively, “Oh Kunal, Oh Kunal, Kunal, Kunal! I feel like I know you man, pehli baar kissi ka naam apne naam se zyaada suna hai”. Then the other scene where John shouts out, “Hum Gay hai, yeh mera boyfriend hai!” and when Kirron Kher, who plays Abhi’s mom blesses the ‘couple’ and says, “Phullo phallo” and then realizes they are gay and sighs, “Khair chhodo.”

Ghajini: The first half is laugh-out-loud hilarious as the love story between Asin and Aamir develops. The love story Asin fabricates between her character Kalpana and Aamir’s Sanjay Singhania is filled with details. She goes, “Hum Pehli baar Dilli aiport pe mile the, main jaanti nahi thi ki who Sanjay Singhani hai, pur waqt airport pe who mujhe ullu ki tarah ghoor raha tha .Phir flight mein mere paas aake baitha aur kaha Hi I am Sanjay Singhania toh meine bhi bola Hi. Phir Dilli se Mumbai poore raaste uska FM radio chalu tha, kachar, kachar, kachar. Phir suddenly bola, I love you, mujhse shaadi Karogi? Maine bola bachhoo, shaadi byaah ke baate hawa mein thodi the ki jaati hai? Maine bola no, usna bola please, maine bola no, usne bola please, phir maine bola OK. Agar koi ek taang pe khada ho jaayeto tara to aayegi hee.” And then she tells Aamir, unaware of the fact that he is THE Sanjay Singhania, “Air Voice ka Mobile hai, dabba phone hai, main kitna kehti hoon Sanjay se, thoda antenna ghuma kar dekho.”

Rab Ne Bana Di Jodi: the dialogues are silly and sweet. How can we forget Raj’s (Shah Rukh’s) very filmi dialogues when he speaks to Taani (Anushka) like: “I am Raj, naam toh suna hoga,” then “Hum hain raahi pyaar ke, phir milenge chalte chalte” (which are titles of Aamir, Salman and SRK’s films respectively) and “Hello Dear, Raj is here, no fear!”

Fashion: It is a Madhur Bhandarkar movie so how can the dialogues lack any punch? When Kittu Gidwani, the head of a modeling agency asks Priyanka, “Tum model banna chahti ho?” so Priyanka confidently replies, “Nahi, Supermodel.” Mugdha, the struggling model says at a lingerie photo shoot, “Itne paise mein itna ich milega!” When Priyanka can’t handle the success, she makes fun of her friend played by Mugdha, “It’s about attitude baby, do-chaar assignements karne se koi model nahi ban jata.” And the way Kangana addresses her parasite of a boyfriend is annoying but it stays with you, “You Bast**d!” is what she ‘lovingly calls him.

Yuvvraaj: Now this movie is bad but the amateurish dialogues will help you and your friends have a laugh over how silly the movie is. Sample these gems. Katrina tells Salman, “Jisne apne baap ko barah saal se sapne mein bhi na dekha ho, woh beta nahi, hardcore anti-family man hai,” then there is Zayed shouting in the middle of nowhere and that too in Hindi, “Please koi meri madad karo, mujhe chhod ke mat jao,” Salman telling Anil, “Drink beer with those who are dear and bring them near” and Salman’s mama telling him, “Well done my son” to which Salman replies, “Well done toh abhi hua hai, done done abhi baki hai.” And we can’t figure the sense in it at all!

Oye Lucky, Lucky Oye: Dibakar Banerjee’s Abhay Deol starrer may not have done well but it is one heck of a laugh riot. Some memorable dialogues are: Abhay Deol telling the media why he is arrested, “Main toh bahar football khel raha tha, unhone (the police) kaha ki andar aake khel lo,” the deceptive Paresh Rawal butters thief Abhay Deol, “aap jaise log hi India ka future hai,” a TV host complaining about the effect of Sansani on his life, “Main yeh sansani kehne se thak gaya hu. Jab meri biwi poochti hai ki khana kaise hai, mere moo se nikalta hai Sansani!” Abhay talking about a dog he has stolen, “High society ka dog hai, zara pyaar se bulao” and of course, “Oye Lucky, Lucky Oye!”

Bachna Ae Haseeno: Bachna ae Haseeno may not be a great film but it was surely very entertaining with YRF making digs at their own films. Here are some dialogues we remember: Ranbir making fun of classic romantic film DDLJ, “Badi boring picture thi, main toh so gaya tha. Kya hua tha usme?,” when Ranbir and his friend make a plan for Bips to dump him by calling strippers to his house and he says, “Happy Independence Day” (the film released on 15 August this year), Hiten’s reaction to Deepika being a taxi driver, “Tum ek taxi driver ko leke aaye ho? Intelligent toh mera watchman bhi hai” and Ranbir telling Deepika in the end: “Main tumhare saath hamesha rehna chahta hu, yeh naya wala forever nahi, forever wala forever.”

Rock On: Farhan Akhtar dished out some unforgettable one-liners in Dil Chahta Hai so how is it possible that the dialogues of Rock On will be any less? Here are some: Farhan telling Purab, “KD, iss band mein koi takeover nahi Karega, issi liye band ka naam Magik hai!”, Prachi says she doesn’t know what’s going on in Farhan’s heart, so Koel replies, “Uske dil mein stock market ki rates hi milengi!”, Farhan arguing with Prachi saying, “Haan maine zindagi mein koi compromises ki hai par compromise kaun nahi karta”, Purab joking with Luke when he says he has taken some pills, “Waise aaj raat mein free hu!” and welcoming Arjun on stage in the end, “Please welcome mera Bhai, mera Dost and Magik’s lead guitarist, Joe Mascarenhas!”

Jaane Tu Yaa Jaane Na: Jaane tu was a formula film filled with funny dialogues. My favourite is the way Prateik addresses Imran, “Ek tu achha dikta nahi, do tu gareeb hai, teen to aisa gayega, toh kaunsi ladki tujhko pasand karegi Jay?” Imran replies, “Koi gareeb, badsoorat ladki mil hi jaayegi jo mujhse bhi bura gaati ho!” Then there is Genelia’s dialogue, “Jay tu mere liye ek tough ladka dhoond aur mein tere liye ek stupid, silly, romantic ladki dhoondti hoon,” and Naseeruddin Shah’s favourite phrase, “you can take the Rathore out of Ranjhore but you can never take out the Ranjhore out of a Rathore”, the way Ratna Pathak asserts when she sees Imran’s Jay riding a horse in the end “Woh mere pati ka beta tha” and the song which Imran sings in his tuneless voice, “Tere mujhse hai pehla ka naata koi, yuhi nahi dil lubhata koi, jaane tuuu, ya jaaane na, maane tuu, yaa maane naaa…”

Race: The most plot-less yet fast paced and fun movie of the year had some corny, pretending-to-be-deep dialogues. Like Akshaye commenting, “yeh toh bahut hasta hai” to which Saif ‘cleverly’ replies, “Jo aadmi hasta bahut hai, who rota bhi bahut hai” and Katrina crying over Saif’s ‘murder’, “Woh mere boss hi nahi, woh mere husband the!”, Saif summing up his ‘bond’ with Akshaye in the end, “Hum dono main fark sirf itna hai ki mein jeetne ke liye khelta hu aur tun mujhe harane ke liye khelte ho”

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