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Archive for the Bipasha Basu Category
John Abraham and Bipasha Basu Spotted at Tarun Mansukhani’s birthday Party
Posted in Bipasha Basu, Events, John Abraham, Photos: on April 17, 2009 by nrmodhBipasha: Realising her ‘wet dreams’
Posted in Bipasha Basu, News on April 13, 2009 by nrmodh
About why it has been pushed… Bipasha was to shoot with Sanjay Dutt, but the man who’s nursing political ambitions these days is of course unavailable! So Bips has been granted some spare time, and has taken off to Goa, just to learn swimming! Apparently her inability to swim kept her away from the water, in spite of her being quite fond of water. “I’m using my vacation to learn swimming,” Bipasha told us. “It has always been a goal, but I just never had the time to pursue it. I’ve got a good two weeks off now, and I’m going to make the most of it,” she said. So it’s sun, surf and swimming for Bips as her co-actor Dutt is ‘polls’ apart. If You Liked The Posts Say It In comments !!!Bipasha Basu is happy the schedule of All The Best has beenpostponed.
The two hot men in Bipasha’s life
Posted in Bipasha Basu, News on April 13, 2009 by nrmodh
Now it’s clear that Bipasha has a soft corner for the dashing and talented Ranbir but the height was when this bombshell said that her lucky boy is none other than our chikna Ranbir. “He is a youth icon in today’s time. I really had a fantastic time shooting with him.” And we thought that John’s the hot man in her life! “John’s my boyfriend and he is certainly hot but Ranbir is my lucky boy.” We wonder what Deepika and John have to say on that! If You Liked The Posts Say It In comments !!!It’s not just the female fans who are smitten by the cutiepie Ranbir Kapoor. His charm has also floored our hottie Bipasha Basu. After working with the young Kapoor in ‘Bachana Ae Hasino’ Bips just can’t stop talking about Ranbir.
Movie Review : Aa Dekhen Zara
Posted in Bipasha Basu, Movie Review on March 27, 2009 by nrmodhAA DEKHEN ZARA had the potential to be an exciting fare, but the post-interval portions prove a deterrent. The fantastic promotion coupled with the popular musical score will ensure ample footfalls in the opening weekend, but the film lacks the stamina to run steadily.
An interesting thought may not necessarily translate into an interesting screenplay. AA DEKHEN ZARA is a prime example of this statement.
Think about it… A man inherits his grandfather’s camera and with the camera comes the ability to see the future. What an idea, Sirji… But AA DEKHEN ZARA is akin to a bottle of soda, which starts off with a lot of energy, but the fizz settles down faster than expected.
AA DEKHEN ZARA had great potential to be a riveting thriller, but halfway through the film, you realize that the writers have run out of ideas. In fact, by the time the film reaches the finale, the viewer is terribly confused [like the writers of this film]. This is one jigsaw puzzle that remains unsolved even after its culmination.
In a nutshell, AA DEKHEN ZARA promises the moon, but what you eventually get in return is merely a mirage. Ray [Neil Nitin Mukesh], a struggling photographer, has nothing going for him… until he inherits a very special camera from his grandfather which changes his life in a way that he could not have imagined in his wildest dreams. As they say with great power comes great responsibility and in Ray’s case, also great danger. He must now face up to the dark side of reality and win not only against the evil forces, but also against fate. Come to think of it, your imagination can run wild with a premise like the one in AA DEKHEN ZARA. But the film runs out of fuel midway. Director Jehangir Surti has an eye for visuals, but he ought to know that the viewer wants to listen to a good story, told in the most simplistic manner. You ought to be extra careful if you’re attempting a suspense thriller. You need to disentangle the knots in such a way that the mystery doesn’t remain a mystery in the end. In this case, it still remains a mystery. 15 minutes into the film and you’re drawn into Neil’s world. You are exhilarated every time he wins a lottery or race. The introduction of the negative force [Rahul Dev] is smartly handled as well. But the plot slackens thereafter. Jehangir Surti can’t do much since he’s saddled with a poor script. Music is the sole saving grace. The songs are youthful and energetic, one of the reasons why AA DEKHEN ZARA has generated tremendous interest. Cinematography is good. The chase and stunts are well canned. Neil Nitin Mukesh showed great promise in his debut film and you only expect him to climb the ladder in his next release. Sadly, the screenplay doesn’t give him that opportunity. Bipasha Basu is alright. She looks great though. Rahul Dev is perfect for the part. Biswajeet [Neil's grandfather] has a tiny role. Sophie Chaudhary adds to the glamour quotient. She doesn’t get much scope, frankly. Bobby Vats is okay. On the whole, AA DEKHEN ZARA had the potential to be an exciting fare, but the post-interval portions prove a deterrent. The fantastic promotion coupled with the popular musical score will ensure ample footfalls in the opening weekend, but the film lacks the stamina to run steadily.
The power of the camera changes Ray’s destiny overnight. His life becomes one big roller coaster ride that takes him from rags to riches and also helps him meet the love of his life, Simi [Bipasha Basu], who is a DJ with a mind of her own. Everything is hunky dory.
Let’s get specific, the second hour is a problem. The screenplay should’ve packed some great moments, but the writers seem to take an easy way out. Sample this. While on the run, Neil and Bipasha suddenly break into a dance in a tacky pub. Prior to that they jump from the roof of the hotel and land straight into the pool. The cat and mouse game gets more and more confusing with the finale only adding to the chaos.
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Ajay-Bipasha come together for a comedy film
Posted in Bipasha Basu, News, ajay devgan on February 5, 2009 by nrmodh
Devgan will be paired opposite Bipasha Basu in the film that also stars Sanjay Dutt and Fardeen Khan. Devgan and Bipasha were last seen together in Prakash Jha’s ‘Apaharan’. Meanwhile, Devgan who is currently shooting for Vipul Shah’s ‘London Dreams’ has shifted base to his farmhouse in Karjat as the film’s shooting is taking place at ND Studio, ten minutes away from his house. Basu had earlier worked with Shetty in his debut film ‘Zameen’. Shetty has shot ‘Golmaal’ and ‘Golmaal Returns’ in Goa and hopes that the place will prove third time lucky for him. However, Devgan’s co-star in the film, Salman Khan does not seem to have shifted to his farmhouse in Panvel which is near Karjat for easy commuting to the studio. The actor has preferred to travel from home in Bandra to Karjat. If You Liked The Posts Say It In comments !!!Ajay Devgan and Bipasha basu would be coming together for a comedy movie.
Rewind: Year’s most memorable dialogues
Posted in Aamir Khan, Abhishek Bachchan, Asin, Bipasha Basu, Deepika, John Abraham, Kangana Ranaut, Priyanka Chopra, Ranbir, Salman khan, Shahid Kapur, Shahrukh khan, katrina kaif on December 31, 2008 by nrmodh
Some of them are genuinely funny while others are downright tacky. Good or bad, we list some dialogues that stayed with us after we walked out of the theatre. We think you might want to watch some of the movies again after reading this.
Dostana: This movie has plenty of genuine gems. The boldest one is when Abhishek meets John for the first time and says, while writhing suggestively, “Oh Kunal, Oh Kunal, Kunal, Kunal! I feel like I know you man, pehli baar kissi ka naam apne naam se zyaada suna hai”. Then the other scene where John shouts out, “Hum Gay hai, yeh mera boyfriend hai!” and when Kirron Kher, who plays Abhi’s mom blesses the ‘couple’ and says, “Phullo phallo” and then realizes they are gay and sighs, “Khair chhodo.”
Ghajini: The first half is laugh-out-loud hilarious as the love story between Asin and Aamir develops. The love story Asin fabricates between her character Kalpana and Aamir’s Sanjay Singhania is filled with details. She goes, “Hum Pehli baar Dilli aiport pe mile the, main jaanti nahi thi ki who Sanjay Singhani hai, pur waqt airport pe who mujhe ullu ki tarah ghoor raha tha .Phir flight mein mere paas aake baitha aur kaha Hi I am Sanjay Singhania toh meine bhi bola Hi. Phir Dilli se Mumbai poore raaste uska FM radio chalu tha, kachar, kachar, kachar. Phir suddenly bola, I love you, mujhse shaadi Karogi? Maine bola bachhoo, shaadi byaah ke baate hawa mein thodi the ki jaati hai? Maine bola no, usna bola please, maine bola no, usne bola please, phir maine bola OK. Agar koi ek taang pe khada ho jaayeto tara to aayegi hee.” And then she tells Aamir, unaware of the fact that he is THE Sanjay Singhania, “Air Voice ka Mobile hai, dabba phone hai, main kitna kehti hoon Sanjay se, thoda antenna ghuma kar dekho.” Rab Ne Bana Di Jodi: the dialogues are silly and sweet. How can we forget Raj’s (Shah Rukh’s) very filmi dialogues when he speaks to Taani (Anushka) like: “I am Raj, naam toh suna hoga,” then “Hum hain raahi pyaar ke, phir milenge chalte chalte” (which are titles of Aamir, Salman and SRK’s films respectively) and “Hello Dear, Raj is here, no fear!” Fashion: It is a Madhur Bhandarkar movie so how can the dialogues lack any punch? When Kittu Gidwani, the head of a modeling agency asks Priyanka, “Tum model banna chahti ho?” so Priyanka confidently replies, “Nahi, Supermodel.” Mugdha, the struggling model says at a lingerie photo shoot, “Itne paise mein itna ich milega!” When Priyanka can’t handle the success, she makes fun of her friend played by Mugdha, “It’s about attitude baby, do-chaar assignements karne se koi model nahi ban jata.” And the way Kangana addresses her parasite of a boyfriend is annoying but it stays with you, “You Bast**d!” is what she ‘lovingly calls him. Yuvvraaj: Now this movie is bad but the amateurish dialogues will help you and your friends have a laugh over how silly the movie is. Sample these gems. Katrina tells Salman, “Jisne apne baap ko barah saal se sapne mein bhi na dekha ho, woh beta nahi, hardcore anti-family man hai,” then there is Zayed shouting in the middle of nowhere and that too in Hindi, “Please koi meri madad karo, mujhe chhod ke mat jao,” Salman telling Anil, “Drink beer with those who are dear and bring them near” and Salman’s mama telling him, “Well done my son” to which Salman replies, “Well done toh abhi hua hai, done done abhi baki hai.” And we can’t figure the sense in it at all! Oye Lucky, Lucky Oye: Dibakar Banerjee’s Abhay Deol starrer may not have done well but it is one heck of a laugh riot. Some memorable dialogues are: Abhay Deol telling the media why he is arrested, “Main toh bahar football khel raha tha, unhone (the police) kaha ki andar aake khel lo,” the deceptive Paresh Rawal butters thief Abhay Deol, “aap jaise log hi India ka future hai,” a TV host complaining about the effect of Sansani on his life, “Main yeh sansani kehne se thak gaya hu. Jab meri biwi poochti hai ki khana kaise hai, mere moo se nikalta hai Sansani!” Abhay talking about a dog he has stolen, “High society ka dog hai, zara pyaar se bulao” and of course, “Oye Lucky, Lucky Oye!” Bachna Ae Haseeno: Bachna ae Haseeno may not be a great film but it was surely very entertaining with YRF making digs at their own films. Here are some dialogues we remember: Ranbir making fun of classic romantic film DDLJ, “Badi boring picture thi, main toh so gaya tha. Kya hua tha usme?,” when Ranbir and his friend make a plan for Bips to dump him by calling strippers to his house and he says, “Happy Independence Day” (the film released on 15 August this year), Hiten’s reaction to Deepika being a taxi driver, “Tum ek taxi driver ko leke aaye ho? Intelligent toh mera watchman bhi hai” and Ranbir telling Deepika in the end: “Main tumhare saath hamesha rehna chahta hu, yeh naya wala forever nahi, forever wala forever.” Rock On: Farhan Akhtar dished out some unforgettable one-liners in Dil Chahta Hai so how is it possible that the dialogues of Rock On will be any less? Here are some: Farhan telling Purab, “KD, iss band mein koi takeover nahi Karega, issi liye band ka naam Magik hai!”, Prachi says she doesn’t know what’s going on in Farhan’s heart, so Koel replies, “Uske dil mein stock market ki rates hi milengi!”, Farhan arguing with Prachi saying, “Haan maine zindagi mein koi compromises ki hai par compromise kaun nahi karta”, Purab joking with Luke when he says he has taken some pills, “Waise aaj raat mein free hu!” and welcoming Arjun on stage in the end, “Please welcome mera Bhai, mera Dost and Magik’s lead guitarist, Joe Mascarenhas!” Jaane Tu Yaa Jaane Na: Jaane tu was a formula film filled with funny dialogues. My favourite is the way Prateik addresses Imran, “Ek tu achha dikta nahi, do tu gareeb hai, teen to aisa gayega, toh kaunsi ladki tujhko pasand karegi Jay?” Imran replies, “Koi gareeb, badsoorat ladki mil hi jaayegi jo mujhse bhi bura gaati ho!” Then there is Genelia’s dialogue, “Jay tu mere liye ek tough ladka dhoond aur mein tere liye ek stupid, silly, romantic ladki dhoondti hoon,” and Naseeruddin Shah’s favourite phrase, “you can take the Rathore out of Ranjhore but you can never take out the Ranjhore out of a Rathore”, the way Ratna Pathak asserts when she sees Imran’s Jay riding a horse in the end “Woh mere pati ka beta tha” and the song which Imran sings in his tuneless voice, “Tere mujhse hai pehla ka naata koi, yuhi nahi dil lubhata koi, jaane tuuu, ya jaaane na, maane tuu, yaa maane naaa…” Race: The most plot-less yet fast paced and fun movie of the year had some corny, pretending-to-be-deep dialogues. Like Akshaye commenting, “yeh toh bahut hasta hai” to which Saif ‘cleverly’ replies, “Jo aadmi hasta bahut hai, who rota bhi bahut hai” and Katrina crying over Saif’s ‘murder’, “Woh mere boss hi nahi, woh mere husband the!”, Saif summing up his ‘bond’ with Akshaye in the end, “Hum dono main fark sirf itna hai ki mein jeetne ke liye khelta hu aur tun mujhe harane ke liye khelte ho” If You Liked The Posts Say It In commnets !!!
Rewind: Year’s most memorable dialogues
Posted in Aamir Khan, Abhishek Bachchan, Asin, Bipasha Basu, Deepika, John Abraham, Kangana Ranaut, Priyanka Chopra, Ranbir, Salman khan, Shahid Kapur, Shahrukh khan, katrina kaif on December 31, 2008 by nrmodh
Some of them are genuinely funny while others are downright tacky. Good or bad, we list some dialogues that stayed with us after we walked out of the theatre. We think you might want to watch some of the movies again after reading this.
Dostana: This movie has plenty of genuine gems. The boldest one is when Abhishek meets John for the first time and says, while writhing suggestively, “Oh Kunal, Oh Kunal, Kunal, Kunal! I feel like I know you man, pehli baar kissi ka naam apne naam se zyaada suna hai”. Then the other scene where John shouts out, “Hum Gay hai, yeh mera boyfriend hai!” and when Kirron Kher, who plays Abhi’s mom blesses the ‘couple’ and says, “Phullo phallo” and then realizes they are gay and sighs, “Khair chhodo.”
Ghajini: The first half is laugh-out-loud hilarious as the love story between Asin and Aamir develops. The love story Asin fabricates between her character Kalpana and Aamir’s Sanjay Singhania is filled with details. She goes, “Hum Pehli baar Dilli aiport pe mile the, main jaanti nahi thi ki who Sanjay Singhani hai, pur waqt airport pe who mujhe ullu ki tarah ghoor raha tha .Phir flight mein mere paas aake baitha aur kaha Hi I am Sanjay Singhania toh meine bhi bola Hi. Phir Dilli se Mumbai poore raaste uska FM radio chalu tha, kachar, kachar, kachar. Phir suddenly bola, I love you, mujhse shaadi Karogi? Maine bola bachhoo, shaadi byaah ke baate hawa mein thodi the ki jaati hai? Maine bola no, usna bola please, maine bola no, usne bola please, phir maine bola OK. Agar koi ek taang pe khada ho jaayeto tara to aayegi hee.” And then she tells Aamir, unaware of the fact that he is THE Sanjay Singhania, “Air Voice ka Mobile hai, dabba phone hai, main kitna kehti hoon Sanjay se, thoda antenna ghuma kar dekho.” Rab Ne Bana Di Jodi: the dialogues are silly and sweet. How can we forget Raj’s (Shah Rukh’s) very filmi dialogues when he speaks to Taani (Anushka) like: “I am Raj, naam toh suna hoga,” then “Hum hain raahi pyaar ke, phir milenge chalte chalte” (which are titles of Aamir, Salman and SRK’s films respectively) and “Hello Dear, Raj is here, no fear!” Fashion: It is a Madhur Bhandarkar movie so how can the dialogues lack any punch? When Kittu Gidwani, the head of a modeling agency asks Priyanka, “Tum model banna chahti ho?” so Priyanka confidently replies, “Nahi, Supermodel.” Mugdha, the struggling model says at a lingerie photo shoot, “Itne paise mein itna ich milega!” When Priyanka can’t handle the success, she makes fun of her friend played by Mugdha, “It’s about attitude baby, do-chaar assignements karne se koi model nahi ban jata.” And the way Kangana addresses her parasite of a boyfriend is annoying but it stays with you, “You Bast**d!” is what she ‘lovingly calls him. Yuvvraaj: Now this movie is bad but the amateurish dialogues will help you and your friends have a laugh over how silly the movie is. Sample these gems. Katrina tells Salman, “Jisne apne baap ko barah saal se sapne mein bhi na dekha ho, woh beta nahi, hardcore anti-family man hai,” then there is Zayed shouting in the middle of nowhere and that too in Hindi, “Please koi meri madad karo, mujhe chhod ke mat jao,” Salman telling Anil, “Drink beer with those who are dear and bring them near” and Salman’s mama telling him, “Well done my son” to which Salman replies, “Well done toh abhi hua hai, done done abhi baki hai.” And we can’t figure the sense in it at all! Oye Lucky, Lucky Oye: Dibakar Banerjee’s Abhay Deol starrer may not have done well but it is one heck of a laugh riot. Some memorable dialogues are: Abhay Deol telling the media why he is arrested, “Main toh bahar football khel raha tha, unhone (the police) kaha ki andar aake khel lo,” the deceptive Paresh Rawal butters thief Abhay Deol, “aap jaise log hi India ka future hai,” a TV host complaining about the effect of Sansani on his life, “Main yeh sansani kehne se thak gaya hu. Jab meri biwi poochti hai ki khana kaise hai, mere moo se nikalta hai Sansani!” Abhay talking about a dog he has stolen, “High society ka dog hai, zara pyaar se bulao” and of course, “Oye Lucky, Lucky Oye!” Bachna Ae Haseeno: Bachna ae Haseeno may not be a great film but it was surely very entertaining with YRF making digs at their own films. Here are some dialogues we remember: Ranbir making fun of classic romantic film DDLJ, “Badi boring picture thi, main toh so gaya tha. Kya hua tha usme?,” when Ranbir and his friend make a plan for Bips to dump him by calling strippers to his house and he says, “Happy Independence Day” (the film released on 15 August this year), Hiten’s reaction to Deepika being a taxi driver, “Tum ek taxi driver ko leke aaye ho? Intelligent toh mera watchman bhi hai” and Ranbir telling Deepika in the end: “Main tumhare saath hamesha rehna chahta hu, yeh naya wala forever nahi, forever wala forever.” Rock On: Farhan Akhtar dished out some unforgettable one-liners in Dil Chahta Hai so how is it possible that the dialogues of Rock On will be any less? Here are some: Farhan telling Purab, “KD, iss band mein koi takeover nahi Karega, issi liye band ka naam Magik hai!”, Prachi says she doesn’t know what’s going on in Farhan’s heart, so Koel replies, “Uske dil mein stock market ki rates hi milengi!”, Farhan arguing with Prachi saying, “Haan maine zindagi mein koi compromises ki hai par compromise kaun nahi karta”, Purab joking with Luke when he says he has taken some pills, “Waise aaj raat mein free hu!” and welcoming Arjun on stage in the end, “Please welcome mera Bhai, mera Dost and Magik’s lead guitarist, Joe Mascarenhas!” Jaane Tu Yaa Jaane Na: Jaane tu was a formula film filled with funny dialogues. My favourite is the way Prateik addresses Imran, “Ek tu achha dikta nahi, do tu gareeb hai, teen to aisa gayega, toh kaunsi ladki tujhko pasand karegi Jay?” Imran replies, “Koi gareeb, badsoorat ladki mil hi jaayegi jo mujhse bhi bura gaati ho!” Then there is Genelia’s dialogue, “Jay tu mere liye ek tough ladka dhoond aur mein tere liye ek stupid, silly, romantic ladki dhoondti hoon,” and Naseeruddin Shah’s favourite phrase, “you can take the Rathore out of Ranjhore but you can never take out the Ranjhore out of a Rathore”, the way Ratna Pathak asserts when she sees Imran’s Jay riding a horse in the end “Woh mere pati ka beta tha” and the song which Imran sings in his tuneless voice, “Tere mujhse hai pehla ka naata koi, yuhi nahi dil lubhata koi, jaane tuuu, ya jaaane na, maane tuu, yaa maane naaa…” Race: The most plot-less yet fast paced and fun movie of the year had some corny, pretending-to-be-deep dialogues. Like Akshaye commenting, “yeh toh bahut hasta hai” to which Saif ‘cleverly’ replies, “Jo aadmi hasta bahut hai, who rota bhi bahut hai” and Katrina crying over Saif’s ‘murder’, “Woh mere boss hi nahi, woh mere husband the!”, Saif summing up his ‘bond’ with Akshaye in the end, “Hum dono main fark sirf itna hai ki mein jeetne ke liye khelta hu aur tun mujhe harane ke liye khelte ho” If You Liked The Posts Say It In commnets !!!
Bipasha Basu left behind Katrina Kaif
Posted in Bipasha Basu, News, katrina kaif on November 21, 2008 by nrmodh
Bipasha Basu always like to be got ahead. She does not like to be left behind.
There have been talks about Katrina Kaif dancing at JW Marriott on New Year’s Eve and charging a crore to do that. It was being said that she has done better than Bipasha Basu who had earned Rs 90 lakh for a 30 min performance at Marriot last year.
Now the news is that Bipasha will get Rs 1.5 crore to dance at Sahara Star.Bips is striving very hard and busy in the process of finalizing her act and is taking care of the songs, costumes, etc.
It is an amazing offer for her after her hits such as ‘Race’ and ‘Bachna Ae Haseeno.’ Bipasha sure is making it big her own way.
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