Filmi double roles have always fascinated us. To make them possible, techniques like shooting in several layers, shooting with the help of chroma are common practice. But if we talk about Akshay Kumar’s 8×10 Tasveer, there is certainly something unique.
Akshay’s double role: The best sequence and the most challenging one too! No chroma shots, but frame by frame rotoscoping (technique of cutting out the images) done by Vfx house Prime Focus. All of Akshay’s shots were shot twice in two different layers using a dummy character in front of him. Later, the dummy character was rotoed out from each frame and was replaced by Akshay shot in a separate layer.
“It was a long sequence and was shot on the boat where everything was shaking. As the part of the post production, we had to roto out Akshay in each and every frame; besides, all the shots needed to be stabilized because of the shake. The scene where both the Akshays are fighting was the most challenging one,” says Merzin Tavaria, Creative Head, Prime Focus.
Frame by frame rotoscoping was done to replace the image
Dummy characters were used for the reference.
Dummy character was rotoed out frame by frame
The dummy character was rotoed out from each frame and was replaced by Akshay shot in a separate layer
If You Liked The Posts Say It In comments !!!
Nagesh Kukunoor enters a new zone with 8 x 10 TASVEER: Suspense-thriller. His choice of the genre and subject material is also right. Yet, 8 x 10 TASVEER goes wrong, horribly wrong.
Nagesh Kukunoor goes two steps ahead as a technician, but five steps behind as a storyteller. The film has been shot stylishly and the breath-taking locales of Canada and South Africa only give the film a picture perfect look. But the screenplay is faulty. So faulty that you exit the auditorium with questions and more questions in your mind. The outcome fails to convince.
